“The future will be ecosystemic”: An interview with Simone Cicero

After a brimming Open Hardware Summit, full of projects and ideas, we had the chance of talking with Simone Cicero, co-chair of the event and a sort of polymath of the New Economy: Blogger, Speaker, Digital Strategist, Event Designer, Facilitator, Dot Connector… Through his multiple activities and his blog Meedabyte, he analyzes the changes in society, economy and production in this new era of collaborative blossoming and disruptive technologies. This, together with his front-row activities as Connector at Ouishare, gives him a broad view of the advances that Open Culture and Sharing Economy, among other issues, are experiencing.

Simone Cicero at Innovation Week Rome 2014
Simone Cicero at Innovation Week Rome 2014

P.N. After Open Hardware Summit 2014, which are your conclusions of the event ?

S.C. My impression of the Summit is that it was a good start, but it is quite far from where I would like to be in terms of awareness and groundwork… That kind of event should be much more a community trying to lay out the world. I really think that we need to start to do more in terms of actionable knowledge and decisions, like a wiki, discussion groups, etc. –a real community, because there is no a real community engagement right now. And we are a big community, so we have to spread wider to discuss about real issues. What I see is companies flocking to this collaborating economy and open source, increasing blogging interest and so on, and it’s like the tipping point is finally arriving. This is reflecting that our community is growing exponentially. Finally, we are getting to the point that this must be changing as soon as possible, now the question is will it be possible to change everything in such a small amount of time …

P.N. But it is going really fast …

S.C. Yes, it is going fast, but also unfortunately that disaster where we are living is going pretty fast, probably faster, so when I think that we need to change everything in 15 years…

Continue reading ““The future will be ecosystemic”: An interview with Simone Cicero”

Additive creativity: Maker Faire Rome 2014

The Innovation Week Rome ended with the Maker Faire European Edition, a huge event where makers from all around the world met to showcase and share their innovative ideas and inventions with more than 90,000 people from all ages.

Showcases, exhibitions, workshops and talks in the field of robotics, 3D printing, drones, sensors, and many more, took place during 4 days at Rome’s Auditorium Parco della Musica.

Maker Faire Rome was promoted by Camera di Commercio di Roma and curated by Massimo Banzi and Riccardo Luna.

On this post we will focus on the Opening Conference that gathered an array of noted international speakers to talk about the future of the Third Industrial Revolution and Maker Movement.

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Young makers at work

I can’t let you do that, Dave

Science Fiction author and technology activist Cory Doctorow made one of the boldest speeches of the meeting.  Doing a strong call to make an active defense of liberties on the Internet, he depicted a chilling future if we don’t do something now about some issues: particularly, he addressed, privacy and freedom of expression. He talked about the interests of companies to limit liberties on the Internet, being done that for the ruling technocapitalism system it is not convenient that people can freely share their knowledges and discoveries –even they are already achieving to turn illegal the act of publishing certain informations.

Referencing Hal 9000’s quote of the film “2001: A Space Odyssey”, Doctorow mentioned the growing possibility of machines starting to decide what things we can communicate based in parameters predefined by companies.

Furthermore, he also remarked the importance of organizations like Open Rights Group to preserve liberties of individuals on the Internet, and finished saying that “The Internet is the nervous system of XXI century”, hence we shouldn’t underestimate the importance of these issues in order not to jeopardize the future of Humanity.

Cory Doctorow
Doctorow advocating for Internet liberties

Superhumans

Scientist Michael McAlpine from Princeton University presented his researches in the development of bionic humans. Some years ago, he developed a flexible material that produces energy when subjected to mechanical pressure. This can be applied to generate power from human motion, for instance portable electronics powered by walking. Nowadays, he is working on the creation of bionic organs through 3D printing, being the advancements so promising up to the point that McAlpine envision a future where being bionic will be something normal.

Continue reading “Additive creativity: Maker Faire Rome 2014”

Connected by default: Meet IoT (Innovation Week Rome)

From 27 sep to 5 oct, Rome hosted the Innovation Week, a place where leaders in innovation, technology experts, makers and many more met to share views on how the near future will be. Promoted by the Chamber of Commerce of Rome, and organized by the Asset Camera, in collaboration with Arduino and Make magazine, the Innovation Week took place in Auditorium Parco della Musica.

The Innovation Week featured many events, ranging from the huge Maker Faire European Edition to the Open Hardware Summit (here, our review of this event), as well as many other events covering an array of topics like social innovation, smart cities, Internet of Things, data society, wearables, creative start-ups, smart money, and so on.

Maker Faire cookies
Maker Faire cookies at Innovation Week bar

For those who are not familiar with the Internet of Things concept yet, briefly we can summarize it as the development of a wide network of interconnected everyday objects via the Internet. From traffic lights to fridges, lamps, and even your own body, everything could be linked to the web, sharing data and being commanded online. Considered as the “big next thing” by amateurs and specialists, Internet of Things (abridged, IoT) brings as many expectations as doubts about its impact on people’s lives.

Meet IoT was the event focusing on Internet of Things at the Innovation Week, showing how IoT developments can make our lives better, but also bearing in mind the challenges and even dangers this would mean. Following, our highlights.

Continue reading “Connected by default: Meet IoT (Innovation Week Rome)”

Getting back to the physical world: Open Hardware Summit Rome 2014

The Open Hardware Summit is the annual conference organized by the Open Source Hardware Association. The 5th edition of this international event was held in Rome, Italy on 30 sep – 1 oct, as part of The Innovation Week, which also featured other events as  Maker Faire: The European Edition, MEET IOT and Smart Money.

First day was fully focused on talks,  there we listened to fascinating speeches from a range of open source hardware experts. Following below, some of our highlights.

Second day was the community day, organized in small workshops to connect face-to-face and learn from key protagonists of the OSH movement.

“I’m a believer”

David Cuartielles, one of the creators of the platform Arduino, opened the summit with an encouraging speech. Being able to believe from his childhood and through his adolescence,  what Cuartielles believes now in his maturity is in open source, and particularly in open source hardware. A place where he finds there is still room to contribute to a greater good. So, he stated, don’t worry so much about open source being useful, but make it useful, go create stuff, and make things open.

David Cuartielles
David Cuartielles on OHSummit stage

Day-to-day robots

From design collective MADLAB.CC, researchers Madeline Gannon and Zach Jacobson-Weaver (also from EnArtDezArk) presented Robo.Op, an open, modular platform for hacking industrial robots.  This hardware & software toolkit prototype works as an universal shield adaptor to communicate with robots by using different software interfaces and devices. Their search goal is to approach robotics to a broader public, overcoming the current limitations in the area (prohibitively expensive, proprietary interfaces, private knowledge) with their proposal of modular hardware, user-friendly software and knowledge hub.

MADLAB.CC is also a collective that explores the edges of digital creativity by merging disciplinary knowledge from architecture, robotics, human-computer interaction and design. We had the opportunity to speak with Madeline and Zach about all these issues. The interview will be posted soon.

Continue reading “Getting back to the physical world: Open Hardware Summit Rome 2014”

“We are heading towards matter becoming software”: Interview with Vik Olliver

“Wealth without money” is one of the mottos in RepRap community. Conscious of the deep revolution that the creation of a self-replicating machine implies, they go beyond the technical issues and promote a new social philosophy based on openness, sharing and creativity. RepRap (abbreviation of replicating rapid prototyper) was born as a project with the clear goal of creating a 3D printer able to print its own components. Founded in 2005 by Adrian Bowyer, it was in September 2006 when a RepRap printed one of its components by the first time, by Vik Olliver. Next, Olliver built the first RepRap “child” –that is, the first completed self-replicated 3D printer in history.

Adrian Bowyer (right) and Vik Olliver (left) with the first self-replicated 3D printer
Adrian Bowyer (left) and Vik Olliver (right) with the first self-replicated 3D printer (First replication – CC BY-SA 3.0)

It was a huge step towards the Third Industrial Revolution. From then, RepRap community increased unstoppably, with around 15,000 registered users now. However, it is not possible to trace all existing RepRaps today, as they can develop by themselves… So when we had the chance of talking with Vik Olliver, we knew that we were talking with the “father” of a long-range movement. The funny thing of it is that he knows, too.

P.N. Even if you are one of the leaders of the RepRap movement, you always emphasize the great importance of community, and specially on the essential role of open source ideology. Do you consider open source a solid business project?

V.O.  Of course. Open source works because if you have two companies working on a project for you, it will be easier for everybody if they do it on an open source basis. It means that you can get more than one company to work on a project and share the benefits and share the experience, and there’s no worry that lawyers will descend upon anyone after the project is finished.

P.N. But on the other side copyright laws are being strengthened… Continue reading ““We are heading towards matter becoming software”: Interview with Vik Olliver”

Future Music Forum Barcelona

Any content business that is struggling with new digital models nowadays, shall take a look at music industry: they were the first ones to face the challenge, and now they are pioneers in finding innovative solutions. Knowing this, Future Music Forum has brought together a leading-edge clique of professionals, eager to explain their answers to the questions asked in such troubled times.

Lodged at the old Damm Factory, well-known in Barcelona as one of the more active music sponsors in the city, Future Music Forum has provided a superb stage for some of the biggest stars of the business behind the scenes and out of the traditional labels field.

In the hall of Damm's Factory at Barcelona: an unexpected way of joining beer and music
In the hall of the old Damm Factory at Barcelona: an unexpected way of joining beer and music.

One of the brightest talks of the event was Mark Mulligan‘s, co-founder and analyst at Midia Consulting, who emphasized how technology has an essential role to modify the relationship between society and music: from the birth of radio to Spotify today, reactions have been many and very different, but music has survived, enlarging its reach. Using Mulligan’s words: “Not fighting the technology is the best we can do”. In his speech filled with graphics and data, he settled the four main phases on digital music: first, piracy; second, download; third, streaming; and fourth, the rise of curated and listen services, which is the one where we are placed now. Asserting that there is still a long way to go through, for instance on the streaming path or the fans engagement, he pointed out that “artists still need to find their pop-corn”, as they haven’t found yet the alternative way of getting the expected revenues from their work. Continue reading “Future Music Forum Barcelona”

Big Data in the Music Industry: An interview with Chris Carey

Much has been told about music industry blurry situation, the effects of the digital impact on the business and the trial-and-error approach to their future model. In such a context, a new sort of “fortune tellers” have aroused: Big Data specialists, holding in their hands some of the big expectations of the music industry.

Far from this image of “clairvoyant”, Chris Carey surprised us with his straightforward, realistic pitch. Nothing deliberately obscure or tangled in his answers, but a sincere interest in explaining clearly the role of Big Data as an useful tool to give some light in the nebulous scenario of music industry today. One of the more celebrated Big Data specialists on music business, Chris Carey co-authored the influential Adding Up the Music Industry papers at PRS for Music, leaded innovative initiatives as Global Insight Director in strong companies as Universal Music Group or EMI Music, and now he is the founder of his own company, Media Insight Consulting.

P.N. From a technical point of view, how are Big Data used in huge music companies ?

C.C. Working in EMI or Universal we put emphasis on making sure that all the important data were grouped together in a way that everyone could connect: sales figures, number of streams, e-mail responses… The biggest challenge in front of Big Data is to put them together in a way easy for people to connect. At that point you need to ask more questions of the data, and so we are careful of how we structure them to make sure that they can answer all kind of questions: artist level questions, album level questions, fans level questions… What this means is that for an artist you can say how his music compares to the genre overall, and so for instance an artist can have a profile of the standard rock genre. Comparing their behavior to a norm, to a genre group, you can see how they behave. You can take it even further and see what happens when you compare one artist to another, or compare one song to another.

Chris Carey at Sonar +D
Chris Carey at Sónar +D Barcelona

Continue reading “Big Data in the Music Industry: An interview with Chris Carey”