RE.WORK Technology Summit was held during two days in Umweltforum (Environmental Forum). This church venue, situated near Berlin Alexanderpatz, is over a hundred years old and has been renovated with high-spec environmental technology.
Day Two opened with the Start-Up Stage. From the six participating start-up companies, all of them with interesting proposals, we highlighted the Berlin-based start-up LUUV, who presented a “bits and atoms” project looking very promising. They are aimed to produce and market the first 3D-Printed plug & play camera stabilizer for smart phones and action cameras, that allows to everybody to shoot steady footage at any time. Now, they are in a prototype stage and “looking for hardware-loving investors”.
Following the Start-Up Stage, Béatrice Marquez-Garrido presented us Future and Emerging Technologies (FET), an EU-backed funding programme whose mission is discovering new technologies with an emphasis on inter-disciplinary, collaborative and high-risk projects. During her brief presentation, she showed some innovative projects where FET is working on as the computer-controlled brain stimulation technology HIVE and the new generation of neuroprostheses Brain Bow. A call is open to submit novel ideas for radical new technologies.
“Meet the New Makers” session gathered to three noted speakers: Ronen Kadushin, Peter Troxler and Sebastien Bourdeauducq, discussing about topics as Open Design, Maker movement and Open Source.
Starting this session, the Israeli, Berlin-based industrial designer Ronen Kadushin enthusiastically talked about Open Design, to which he defined as design behaving as software. He also regarded Open Design as an opportunity for industrial design “to join to the network” and be part of “the cutting-edge society”.
Besides the internationally renowned Sónar Advanced Music Festival, simultaneously this week Barcelona celebrates Sónar +D, a Creativity & Technology event, where some of the most cutting-edge artists and researchers get together in a wondrous kaleidoscope of highly talented people. Eager to know new stunning proposals, we were there from its Day One.
Our first discovering was the successful Belfast-born project Patchblocks , programmable mini-synth modules that caused a backing storm at Kickstarter. It has everything to delight inquiring musical minds: it is modular, it is funny and it is open. These modular synth units can be joined as puzzle pieces, and even they can be plugged to other musical instruments and gadgets, creating a wide range of sounds. Just “playing” with them, you realize the incredible variety of possibilities that these low-fi artifacts provide you, in a nearly-infinite constellation of combinations. There is a strong emphasis on the community side of the project, to share experiences and sounds. The perfect instrument to turn a musician into a maker!
After this, Andy Goodman and John Alexiou discussed about new trends on wearable devices, with witty statements like “In wearables importance is not on the device, but on the experience”. Andy Goodman, from the design agency Fjord, placed wearables on their very initial stage, remarking the issues their development still implies: recharge difficulties, tricky use of too small screens, and ugly appearance. He pointed out the great importance of the evolution of materials as the real way to improve actual wearables: to insert an electronic artifact on a textile piece, he said, doesn’t seem to him as interesting as making the materials of the textile piece fulfill a given function. “There’s no a killer app in wearables yet”, he stated. Would it ever appear?
At OFFF Barcelona 2014, we also found some interesting stuff beyond the stages, take for instance The Folio Club, the Barcelona-based platform aimed at promoting and producing independent editorial projects. They also provide offset-digital printing services. We talked with Ana about the print-related projects they promote, she also told us that The Folio Club helped to produce The Poool, the delightful OFFF printed magazine.
At “El Mercadillo”, a place full of exhibition stands with interesting products and services, we talked with Eddie from Camaloon, they make custom stickers and pin badges for personal or promotional use. They featured the Camaloon Be Noticed Corner where attendants to the Festival could draw and write anything they wanted.
Kate Moross is a young Londoner designer and illustrator. She’s also head of Studio Moross. With an encouraging DYI attitude and focusing on the business side of her work, she told us her story. From her first clients achieved shamelessly promoting herself on the early social network MySpace, to her current works for the likes of Adidas or Vogue. In the process, she has not lost any of her freshness, independency and visual impact. Moross has also been behind some of the most important artwork in British music in recent years. For instance, the ones for the British singer Jessie Ware.
After Kate Moross, the lunch break came. People started to look tired after several nights of “juerga” and little sleep. But enjoying of the sun warmth and the beautiful views was revitalizing enough.
Noted german type designer Erik Spiekermann made one of the most memorable speeches of the Festival, full of caustic and clever remarks about Design, Typography and other related stuff. He has designed many typefaces of extended use and been part of the team that made the Helvetica Neue typeface. Spiekermann also appeared on documentary Helvetica.
Through the years, he got involved on Web Design. Talking about the never-ending task of making websites, one of his more retweeted phrases last Saturday was “Websites are always in Beta”. After a long and successful trajectory and near to retirement, he has started a new project, the gallery and letterpress workshop P98A , mixing tools and techniques from wood types to laser cut plates. Having spent a good amount of his career in front of screens, this is his way of going from bits to atoms.
Digital is ubiquitous, like it happened with electricity. It is not a novelty anymore.
We live in an hybrid age. Differences between “old” and “new” technologies become irrelevant. Every day, new projects merging physical and digital worlds are born.
PostDigital Node is a blog about bits and atoms.
We are aimed to promote projects related to Digital Fabrication, Maker Culture, Niche Factories, Wearable Tech, Internet of Things, Big Data, Smart Cities, Open Hardware, Sharing Economy, Legal Tech, Smart Health, Biohacking, Civic Tech, DIY / DIWO, Crowdfunding, Open Source, Creative Commons, Open Design, and more …
We are based in Barcelona, a cosmopolitan and creative city attracting talent from all over the world.